Retrospective: Marilyn Monroe’s Most Memorable Performances

Sunday marked the half-century anniversary passing of America’s most popular and enduring silver screen queen. With her platinum locks and signature red lips, Marilyn’s sex appeal as a timeless style icon could only be complemented by her immense talent as an actress. Here, a look at five of her most memorable film performances, courtesey of the AP:

“Some Like It Hot” (1959)

In “Some Like It Hot,” the Billy Wilder classic is listed as the greatest comedy ever by the American Film Institute. Marilyn plays the magnetic role of Sugar Kane Kowalczyk, with innocence and sexuality in equal measure. As the lead singer of an all-girl orchestra, she gets to sing, dance, play the ukulele and show off her comic timing. Monroe finds a tricky balance between her otherworldly looks and a down-to earth charm, and plays beautifully off Jack Lemmon and Tony Curtis.

“Gentlemen Prefer Blondes” (1953)

Describing her performance as gold-digging Lorelei Lee as iconic would not be hyperbole. Her rendition of “Diamonds Are a Girl’s Best Friend” remains so enduring, it inspired Madonna’s “Material Girl” video, down to the blonde waves, candy-colored pink dress, admiring back-up dancers and tightly structured choreography. Monroe actually gets second billing behind Jane Russell in Howard Hawks’ musical comedy, based on the Broadway show about a couple of showgirls and best friends who travel to Paris, run into misadventures and revel in all the attention thrown their way.

“The Seven Year Itch” (1955)

Here’s Monroe again at the center of one of film’s most famous images: standing over a New York City subway grate, letting the wind from a passing train send her ivory, pleated halter dress billowing all around her. Pictured as naive, sweet, beguiling and irresistible, she’s the idealized incarnation of classic female allure, known only as The Girl. Working for the first time with Wilder, based on the George Axelrod play, Monroe plays the sexy upstairs neighbor who bewitches Tom Ewell’s character while his family is away for the summer.

“Bus Stop” (1956)

This Joshua Logan  film, based on the William Inge play, offers the full range of Monroe’s abilities. She stars as Cherie, a lousy saloon singer toiling away in Phoenix until she can find a way to get to Hollywood. Though resounding with a strong Arkansas accent, Monroe also gets some quieter moments that reveal her vulnerability.

“The Misfits” (1961)

A poignant pop culture time capsule: This is not just Monroe’s final film but Clark Gable’s, too. Co-star Montgomery Clift would be dead a few years later. Monroe’s then-husband, playwright Arthur Miller, wrote the script for her to give her a meatier role. But by all accounts, alcohol and pills made her an absolute mess and she was frequently late to John Huston’s set. Given that her newly divorced character is drunk most of the time, along with the lost souls with whom she seeks solace in the Nevada desert, it’s hard to tell where the performance ends and real life begins. In an eerily ironic quote from Eli Wallach as he’s toasting Monroe’s character for her vitality, he says: “Here’s to your life, Roslyn. I hope it goes on forever.”

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