{"id":174,"date":"2012-07-18T18:16:03","date_gmt":"2012-07-19T01:16:03","guid":{"rendered":"http:\/\/www.arizonafoothillsmagazine.com\/aznightlife\/?p=174"},"modified":"2012-07-18T18:16:03","modified_gmt":"2012-07-19T01:16:03","slug":"axwell","status":"publish","type":"post","link":"https:\/\/www.arizonafoothillsmagazine.com\/aznightlife\/axwell\/","title":{"rendered":"Axwell"},"content":{"rendered":"

Genre:<\/strong> House<\/p>\n

Country:\u00a0<\/strong>Sweden<\/p>\n

\"\"<\/a><\/p>\n

The king of the sun-kissed summer anthem; the mogul behind one of the hottest imprints on the planet; a superstar producer and DJ who\u2019s never lost the giddy enthusiasm of a fledgling clubber; and one of the most successful and influential remixers of the 21st century. By anyone\u2019s standards, Axel \u2018Axwell\u2019 Hedfors is a giant of modern-day dance music \u2013 and he\u2019s only going to get bigger.<\/p>\n

Axwell\u2019s steady ascent into clubland aristocracy began when he struck crossover gold with 2004\u2019s glorious \u2018Feel The Vibe\u2019. An unstoppably uplifting and instantly memorable track, the original version of \u2018Feel The Vibe\u2019 (featuring vocalist Errol Reid) dazzled every corner of clubland, before an overhauled version (with new vocals by Tara McDonald) gate-crashed the UK top 20. 2005\u2019s \u2018Watch The Sunrise\u2019 (featuring Steve Edwards) proved to be another unstoppable anthem, as was his 2006 collaboration with fellow Swedish House Mafioso Steve Angello, Supermode\u2019s \u2018Tell Me Why\u2019 (released via Ministry Of Sound, it reach #13 in the UK and #3 in the Netherlands). But it was 2007\u2019s rave-referencing \u2018I Found U\u2019 (#6 in the UK charts) that really cemented Axwell\u2019s status as a producer who could marry artistic innovation with strong commercial appeal \u2013 a rare thing indeed, in any genre of music. Most recently he was one of the forces behind Swedish House Mafia \u2013 One (Your Name) featuring Pharell Williams, another top ten UK hit, crashing into the summer charts at #7 and soundtracking every festival, dance event and Ibiza club night.<\/p>\n

\u201cI do feel pressure to maintain a certain level of success,\u201d says Axwell. \u201cThat\u2019s a weight that lies on my shoulders \u2013 but all that pressure comes from myself. I want every tune to be better than the last one: to sound stronger, to be phatter, to work better in a club. So it\u2019s pressure, but it\u2019s good pressure. It pushes me forwards, creatively.\u201d
\n\u201cFor me, it\u2019s all about asking questions of myself. Would I play this? Would I play it during peak time? Is it the phattest thing I\u2019ve ever heard? Is it the most futuristic shit out there? I question the track \u2013 and myself \u2013 the whole time. I\u2019ve got a good expression: the goose-bumps never lie. If you get goose-bumps during the production stage, then you\u2019re on the right track…\u201d<\/p>\n

Axwell\u2019s Midas-like touch \u2013 along with his peerless technical ability \u2013 has made him the go-to guy for artists looking to get their latest release reworked into a storming dancefloor juggernaut. Madonna, Nelly Furtado, Moby and Pharrell Williams have all come a-knockin\u2019, while productions such as his masterful reworking of Hard-Fi\u2019s \u2018Hard To Beat\u2019, his sublime remix of The Temper Trap\u2019s \u2018Sweet Disposition\u2019 (along with Dirty South) and of course his unstoppable version of TV Rock\u2019s \u2018In The Air\u2019 have gone on to become as big as \u2013 or, in many cases, bigger than \u2013 the original tracks.<\/p>\n

Part of what makes Axwell such a sought-after producer is his dazzling stylistic agility; he can switch between house, techno and electro (and everything in-between) without even breaking a sweat.<\/p>\n

\u201cAxwell has an innate feel for the dancefloor,\u201d says long-time fan Judge Jules, \u201cbut his versatility is even more impressive. Too many producers get caught in a trademark groove, becoming a prisoner of their own perceived style. Axwell\u2019s material is so varied, but it never fails to rock \u2013 big time.\u201d<\/p>\n

You only have to take a look over the back catalogue of Axtone, Axwell\u2019s much-admired label, to see his enthusiasm for a dizzying range of styles and sounds. From the banging to the beatific, Axwell and his roster of artists \u2013 which includes Dirty South, TV Rock & Prok & Fitch amongst others \u2013 really have managed to please all the people, all the time.<\/p>\n

\"\"<\/a><\/p>\n

Things have been comparatively quiet in terms of Axwell\u2019s own release schedule for the last 12 months or so \u2013 his biggest tune of recent times has been \u2018Leave The World Behind\u2019, the spectacular collaboration with Laidback Luke and his Swedish House Mafia cohorts Steve Angello and Sebastian Ingrosso. However, there\u2019s a very good reason for this usually prolific producer keeping a relatively low profile, track-wise.<\/p>\n

\u201cI have been holding back with the productions for a bit,\u201d says Axwell, \u201cand that\u2019s because I\u2019m currently trying to finish off my debut album. It\u2019s going really well. I\u2019m used to just working track-by-track, but making a whole album, and making the whole thing sound fresh \u2013 all the tracks, all at the same time \u2013 that\u2019s been a challenge, but a really fun one. And that\u2019s why I didn\u2019t release that many tracks in 2009 \u2013 although, what I did release kept me going for the whole year!
\n\u201cMy album will contain a bit of everything that I\u2019m about \u2013 which is a bit of everything! It\u2019s going to contain a lot of songs that I\u2019ve worked on throughout the years and maybe not finished, but I\u2019ve thought, \u2018That\u2019s a great song \u2013 I really need to finish that some day.\u2019 And that day has come \u2013 now it\u2019s time to finish them.\u201d<\/p>\n

Album or no album, Axwell has still found time to personally send the planet\u2019s biggest clubs into utter gleeful meltdown. DJing remains a real passion of his, a way to stay connected with clubbers and their ever-changing tastes.
\n\u201cI try to keep a balance,\u201d he says. \u201cI make sure that I get enough time in the studio, so that when I DJ I have new tracks to play. That keeps me excited. I want to play those tracks and test them out, to see if they work in a club. That helps me to keep my edge.\u201d<\/p>\n

Whatever direction the music takes Axwell in next, you can be sure that he\u2019ll be closely followed by admirers and imitators alike. \u201cDuring the past 15 years,\u201d says sometime Axwell-collaborator Bob Sinclair, \u201cthere are only a few guys who have really influenced the dance-music scene with their sound and the way that they produce. Axwell is one of them.\u201d<\/p>\n

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