{"id":157,"date":"2012-07-18T17:41:02","date_gmt":"2012-07-19T00:41:02","guid":{"rendered":"http:\/\/www.arizonafoothillsmagazine.com\/aznightlife\/?p=157"},"modified":"2012-07-18T17:44:27","modified_gmt":"2012-07-19T00:44:27","slug":"markus-shulz","status":"publish","type":"post","link":"https:\/\/www.arizonafoothillsmagazine.com\/aznightlife\/markus-shulz\/","title":{"rendered":"Markus Shulz"},"content":{"rendered":"<p><strong>Genre:<\/strong> Trance<\/p>\n<p><strong>Country:<\/strong> United States<\/p>\n<p><a href=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz.jpeg\"><img  loading=\"lazy\"  decoding=\"async\"  class=\"alignleft size-medium wp-image-158 pk-lqip pk-lazyload\"  title=\"Markus Schulz\"  src=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz-59x80.jpeg\"  alt=\"\"  width=\"220\"  height=\"300\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"auto, (max-width: 220px) 100vw, 220px\"  data-pk-src=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz-220x300.jpeg\"  data-pk-srcset=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz-220x300.jpeg 220w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz-380x518.jpeg 380w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz-80x109.jpeg 80w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz-59x80.jpeg 59w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz.jpeg 411w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz-250x341.jpeg 250w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz-132x180.jpeg 132w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092334\/Markus-Schulz-367x500.jpeg 367w\" ><\/a><\/p>\n<p><strong>Introduction:\u00a0<\/strong>Over the last 10 years Markus Schulz has fused the individual musical identities of progressive house &amp; trance into his own creative and now inimitable hybrid sound. Through the unique alignment of his headline DJ sets, Coldharbour label output and highly prominent Global DJ Broadcast radio show, he orchestrated a sea change revolution in the US trance scene. This success has been singularly reflected in weekly headliner sets in front of many tens of thousands, a GDJB listenership up in the tens of millions &amp; one Beatport chart-topping release after another. Following several highly ranked positions, in 2008 Schulz punched his way into the Top 10 of DJ Magazine\u2019s Top 100 chart, landing at no.8. In repeating the exact same achievement in 2009, he now stands, quite unequivocally, as America\u2019s no.1 club DJ.<\/p>\n<p><strong>Early History:\u00a0<\/strong>Born in Eschwege, central Germany, Markus emigrated to the United States. Age 13, his dance music awakening came during the grip of the country\u2019s then-exploding breakdance scene. His early production and DJ career roughly tracked that of the Stateside 2nd coming of House and he caught his first production break in 1993 when he remixed Sagat\u2019s \u2018Why Is It? (F** Dat)\u2019 for FFrr. Markus\u2019 freshman production release followed in 1994 with the 6-track-strong \u2018Plastik Trax EP Vol 1\u2019. Throughout the mid to late Nineties he continued to pull in early acclaim with a range of releases on numerous US luminary labels. In 1998 he recorded \u2018You Won\u2019t See Me Cry\u2019 for Plastik Records (his first label), a release which was picked up by Eve Records for the UK. This became Markus\u2019 first international calling card\u2026 The world had started to tune in.<\/p>\n<p><strong>Markus Schulz \u2013 The DJ:\u00a0<\/strong>Through his natural audience affinity, flawless (and seemingly effortless) mixing and innate tune selection, he has wowed crowds in pretty much every major district, principality and metropolis. Schulz\u2019s DJ career has, to the greater degree, run parallel to that of his productions. In the early Noughties, having fixed focus on the hinterland between trance &amp; progressive, he began to reach audiences further and further afield. In 2004 he was signed to the David Lewis Productions agency (also home of the World\u2019s No.1 DJ Armin van Buuren) and his career took another big step forward. Now a regular fixture at the world\u2019s biggest &amp; most famous clubs, arenas and festivals, he lays down his unique trance-progressive vision on a weekly basis. In Europe, he\u2019s smashed Trance Energy, Nature One &amp; Dance Valley, worked tent-pegs loose at Creamfields &amp; Global Gathering and brought gridlock to the Love Parade. Stateside the colossal Electric Daisy &amp; Ultra Festivals have both felt the Schulz pressure and yet further afield still he\u2019s induced floor upheaval in China and Australia (most recently at the Future Music Festival). After several significant showings in the Top 100 DJs chart, he now ranks as one of the top 10 DJs in the world and in 2008 was voted Best American DJ at the IDMAs.<\/p>\n<div>\n<p><strong>Coldharbour Recordings:<\/strong>\u00a0Schulz\u2019s sound notably came quickest to the ears of continental European DJs. Following the formation of the Armada group in 2005, Armin sought Markus out and asked him to start compiling tracks for a new vinyl series. The Coldharbour Sessions EPs launched in 2004 (with the first 3 releases coming out on the already established Electronic Elements label). In quick succession they began to leave crater-like impacts on dancefloors and within 12 months Coldharbour the label was born. Named after Markus\u2019 then-production base in London\u2019s Coldharbour Lane, its output immediately brought a new fission sound to Armada. It also became a lightning rod for a new generation of prog-inclined producers \u2013 setting in motion the careers of (amongst others) Santiago Nino, Rex Mundi, Mark Otten &amp; Niklas Harding. With 2005 under the spell of Coldharbour\u2019s more sophisticated, minimal, but still melodic take on the prog-trance sound, Markus struck again with the first Coldharbour Sessions mix compilation. Such has been the success of the imprint that in 2007 it was joined by a sub-label, Coldharbour Red. This, in turn, was a launch pad for Marcus Sch\u00f6ssow, tyDi, Glenn Morrison &amp; Evol Waves and was the point of re-entry for early Schulz side-project, Dakota (see Dakota section below). Six years after its birth, in 2010, Coldharbour stands at the top tier of the world\u2019s trance &amp; progressive labels and stands on the threshold of its 100th release.<\/p>\n<p><a href=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2.jpeg\"><img  loading=\"lazy\"  decoding=\"async\"  class=\"size-medium wp-image-159 alignright pk-lqip pk-lazyload\"  title=\"Markus Schulz\"  src=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-80x53.jpeg\"  alt=\"\"  width=\"300\"  height=\"200\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"auto, (max-width: 300px) 100vw, 300px\"  data-pk-src=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-300x200.jpeg\"  data-pk-srcset=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-300x200.jpeg 300w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-768x513.jpeg 768w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-380x254.jpeg 380w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-800x534.jpeg 800w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-80x53.jpeg 80w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-750x501.jpeg 750w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-250x167.jpeg 250w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-550x367.jpeg 550w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-270x180.jpeg 270w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-449x300.jpeg 449w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-749x500.jpeg 749w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-1x1.jpeg 1w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-3x2.jpeg 3w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-6x4.jpeg 6w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-620x414.jpeg 620w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2-850x568.jpeg 850w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092341\/Markus-Schulz2.jpeg 960w\" ><\/a><\/p>\n<p><strong>M.S. Productions 2005 \u2013 2010:\u00a0<\/strong>Perfectly intersecting the quality\/quantity axis, Markus\u2019 own productions have been the most fundamental of components in marshalling clubbers and music lovers to his sound. Over the course of the last half-decade tracks like \u2018First Time\u2019 &amp; \u2018Without You Near\u2019 (2005), \u2018Fly To Colours\u2019, \u2018Never Be The Same\u2019 &amp; \u2018I Am\u2019 (2007) \u2018Perfect\u2019 &amp; \u2018Cause You Know\u2019 (2008) &amp; most recently \u2018The New World\u2019 &amp; \u2018Do You Dream\u2019 have each played their vital part. Markus is also a keen production collaborator. In 2005 he famously teamed up with likeminded producers Gabriel &amp; Dresden and Departure for \u2018Without You Near\u2019 and in mid-2008 did the same with Andy Moor on \u2018Daydream\u2019 and most recently on \u2018Goodbye\u2019 with Max Graham. The impact of all the singles has been cauterized by his studio albums \u2018Without You Near\u2019 (2005), \u2018Progression\u2019 (2007). In February 2010, Schulz completed recording his third long-player, \u2018Do You Dream?\u2019, which is scheduled for release in June 2010.<\/p>\n<p><strong>The Global D<\/strong><strong>J Broadcast show:\u00a0<\/strong>Now in its fifth year Schulz\u2019s GDJB has continued to be a beacon for an always-growing throng of trance &amp; progressive dance fans. Broadcast through leading station DI.fm and Sirius\/XM satellite, the Global DJ Broadcast site and 50+ other FM stations around the planet, it has become every bit required listening for the EDM-savvy. Based on a regular format, the first show of each month is a two hour long mix from one of Schulz\u2019s rolling World Tour gigs \u2013 ones that have of late included Medellin, Columbia, St Petersberg, Russia &amp; Amnesia in Ibiza. Subsequent shows in the month feature Markus mixing his broad-span pick of the current electronic dance music best for an hour (which includes the forum-voted Global Selection track of the week) followed by guest mixes from both established and up-and-coming DJs.<\/p>\n<p><strong>Markus Schulz \u2013 The City Albums:<\/strong>Markus is also responsible for one of the longest running and most respected compilation album series in trance history. Kicking off in 2005 in Miami, its city-hopping concept has gone on to spotlight Ibiza in \u201906, Amsterdam in \u201908, &amp; Toronto in \u201909. Most recently he homed in on Las Vegas for an album that Mixmag said: \u201cmanaged the rarity of living up to the hype\u201d and \u201cranked as his best yet\u201d). Providing a microcosmic view of his sound, they have become cornerstones for fans CD &amp; mp3 collections, with each new travelogue edition bringing in a fresh wave of supporters. Notably, the Amsterdam \u201908 release was nominated for an IDMA award for Best Full Length DJ Mix (in the same year that Markus took home the trophy for Best American DJ).<\/p>\n<figure id=\"attachment_160\" aria-describedby=\"caption-attachment-160\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3.jpeg\"><img  loading=\"lazy\"  decoding=\"async\"  class=\"size-medium wp-image-160 pk-lqip pk-lazyload\"  title=\"Markus Schulz\"  src=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-80x53.jpeg\"  alt=\"\"  width=\"300\"  height=\"199\"  data-pk-sizes=\"auto\"  data-ls-sizes=\"auto, (max-width: 300px) 100vw, 300px\"  data-pk-src=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3.jpeg\"  data-pk-srcset=\"https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3.jpeg 960w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-300x200.jpeg 300w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-768x511.jpeg 768w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-380x253.jpeg 380w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-800x533.jpeg 800w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-80x53.jpeg 80w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-750x499.jpeg 750w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-620x413.jpeg 620w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-850x566.jpeg 850w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-250x166.jpeg 250w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-550x366.jpeg 550w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-270x180.jpeg 270w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-451x300.jpeg 451w, https:\/\/media.arizonafoothillsmagazine.com\/aznightlife\/wp-content\/uploads\/2012\/07\/25092347\/Markus-Schulz3-751x500.jpeg 751w\" ><\/a><figcaption id=\"caption-attachment-160\" class=\"wp-caption-text\">At EDC Las Vegas 2012<\/figcaption><\/figure>\n<p><strong>Remixes:<\/strong>\u00a0Markus powered into remix action in the early 90s with a 30+ volley of high-profile reworks. Over the course of the decade he re-tooled the production works of Euro dominators like The Real McCoy &amp; Technotronic, house masters &amp; divas Armand van Helden &amp; Liz Torres, legendary Nineties icons RuPaul, Bette Midler &amp; Sandra Bernhard and fully-fledged A-listers like Madonna. As the Millennium arrived though he began to work on deeper, more intrinsically electronic dance fare\u2026 In 2000 he remixed trance innovator Pablo Gargano\u2019s \u2018Absolution\u2019, PQM\u2019s Renaissance classic \u2018The Flying Song\u2019 and Fatboy Slim\u2019s \u2018Sunset (Bird of Prey). Satisfied that he\u2019d found the right dance strata to focus on Markus has gone on to rewire tracks by Oceanlab, Motorcycle, Dance 2 Trance, Cosmic Gate, Nalin &amp; Kane, Kyau &amp; Albert, John O\u2019Callaghan, &amp; Space Manoeuvres amongst many, many others.<\/p>\n<p><strong>Markus Schulz aka: Dakota:\u00a0<\/strong>Markus has only made rare use of pseudonyms through his career \u2013 seeing them as being only valuable if they represent an outlet for something other than his \u2018regular\u2019 output. At the turn of the last decade Schulz released 3 tracks (\u2018Swirl\u2019, \u2018Frozen\u2019 &amp; \u2018Lost in Brixton\u2019) under the moniker Dakota. Over time these became focal points for the year-on-year exponential intake of new fans. In 2009 Schulz paid dividend to that by resurrecting the guise, updating its sound and directed his attentions on a whole album of new Dakota material. \u2018Thoughts Become Things\u2019 was the end product and with it came a route diversion that went into a new valley-deep sound \u2013 one that expanded to embrace the fringes of techno, house and other sub-genres. It once again fortified the Schulz\u2019s fanbase and expanded the range of DJ support for his music. The album has thus far justified 7 single releases that have included particular fan-favourites \u2018Chinook\u2019, \u2018Johnny the Fox\u2019, \u2018Koolhaus\u2019 &amp; \u2018Mr Cappuccino\u2019.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Genre: Trance Country: United States Introduction:\u00a0Over the last 10 years Markus Schulz has fused the individual musical identities&hellip;\n","protected":false},"author":2,"featured_media":159,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[4],"tags":[55,54,65,15,13],"class_list":{"0":"post-157","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interviews","8":"tag-armada","9":"tag-asot","10":"tag-markus-schulz","11":"tag-progressive","12":"tag-trance","13":"cs-entry","14":"cs-video-wrap"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Markus Schulz<\/title>\n<meta name=\"description\" content=\"Artist Biography\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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