{"id":13466,"date":"2012-03-01T08:48:37","date_gmt":"2012-03-01T15:48:37","guid":{"rendered":"http:\/\/www.arizonafoothillsmagazine.com\/afm-style-files\/?p=13466"},"modified":"2012-03-12T09:52:03","modified_gmt":"2012-03-12T16:52:03","slug":"behind-the-scenes-oscar-day-michelle-williams-natalie-portman","status":"publish","type":"post","link":"https:\/\/www.arizonafoothillsmagazine.com\/afm-style-files\/scottsdale-beauty-buzz\/behind-the-scenes-oscar-day-michelle-williams-natalie-portman","title":{"rendered":"Behind the Scenes Oscar Day- Michelle Williams & Natalie Portman"},"content":{"rendered":"

Yes we have already talked about the Oscars, favorite Oscar dresses and favorite Oscar hair\u2026 But when I saw this wonderful up close and behind the scenes scoop by Kate Young,a well known superstar stylist and beauty fanatic who helped her friends Natalie Portman and Michelle Williams ready for the Oscars on Into the Gloss I just had to share. Here is an edited version with Kate\u2019s lovely images.<\/p>\n

Happy reading!<\/p>\n

\"\"<\/a><\/p>\n

\u201cNatalie\u2019s dress is amazing. It\u2019s an actual 1954 spring couture dress, from Rare Vintage on 57th street in New York. We borrowed it\u2014it\u2019s $50,000!\u2014she was actually going to wear another dress but then I got a call from the woman at Rare Vintage and she was like, \u2018You should see this dress for Natalie.\u2019 So we went and she put it on, and it needed zero alterations, and Natalie was like, \u2018This was meant to be, wasn\u2019t it?\u2019 And I said, \u2018I guess it was.\u2019<\/p>\n

\"\"<\/a><\/p>\n

For Michelle, I really felt like she hadn\u2019t worn any Louis Vuitton, and I love Louis Vuitton\u2014it has such a good spirit. Michelle was in Paris for the premiere of My Week With Marilyn two weeks ago, and I wanted to work with a French designer so that way we could do a fitting while she was in Paris and it would give us enough time to make the dress and make it perfect. It was orange\u2014I guess people are saying it\u2019s coral; it\u2019s orange. [Laughs] Vuitton made it for her\u2014that\u2019s the thing about the Oscars, is that you can do everything custom. We get sketches from all different designers but I just felt like this one was so modern\u2014I liked that it had tons of details but it wasn\u2019t sparkly or shiny, it was matte. It had so much going on, but it felt young and fresh\u2026light. It\u2019s important to Michelle that there\u2019s a little bit of poetry and some feminine, small details, and it had that while still being super structured and flattering and all those things.<\/p>\n

\"\"<\/a><\/p>\n

For Michelle, the inspiration was always that we\u2019d do a contrast color lip\u2014we were always saying red, red, red, red\u2026and then I saw the Jil Sander show\u2014Raf Simons last Jil Sander show\u2014and it was that completely clean face that had this golden matte look to it, with a vibrant lip, and I sent it to Michelle at like six in the morning Sunday and said, \u2018Makeup inspiration?\u2019 and she said yes. So we gave that to Angela for the inspiration. It was very little eye, just lashes, with a really golden matte glow, and a vibrant lip. But the lip changed\u2014a red lip would have been boring actually; I\u2019m glad we didn\u2019t do a red lip.<\/p>\n

And with Natalie, we really had the feeling that we didn\u2019t want her to look so gamine, we wanted her to look more movie star\u2014her look should have more gravitas. Rather than being young and fresh and playing coy, she wanted to be more Old Hollywood. We were talking a lot about Elizabeth Taylor\u2014the hair was not really that but the look was: a colorful couture ball gown with a major piece of jewelry and matching earrings.<\/p>\n

\"\"<\/a><\/p>\n

On Natalie\u2019s hair
\nDidier Malige: I don\u2019t think it\u2019s that difficult to make Natalie look good [laughs], she\u2019s a very pretty girl. I had worked with her before when she was like twelve years old; I cut her hair for the movie The Professional [Ed note: how amazing is this?!] And then last year, she called me to do her hair for the Oscars when she won Best Actress and I was very very happy. Natalie and Kate decided what the look would be, pretty much. Kate showed me a picture of Lauren Bacall in the 50\u2019s\u2014Lauren had much shorter hair and it was more elaborate, but that was an inspiration. When you create a thing that has to last for three, four hours, it\u2019s hard to be light\u2014that\u2019s why you see so many people who have quite \u2018glued\u2019 hairdo\u2019s. But we really just used a couple of things: I blow-dried her hair with Fekkai Bouffant, and we finished it with lots of Elnett hairspray. That\u2019s the best hairspray to have ever been made. [Laughs] I have never found something that is so easy to use, as a hairspray. To get the shape I used a curling iron from Japan, that\u2019s really amazing\u2014very precise. I bought it in New York at a place called Shear World.<\/p>\n

And, a word on Williams\u2019 softly gilded makeup\u2026<\/p>\n

\"\"<\/a><\/p>\n

Angela Levin: I\u2019ve known Michelle for a quite a while, and this season I did her makeup for all the awards\u2014the Golden Globes, the Spirit Awards\u2014and she is the most adorable, delicious human being. I always start with what she\u2019s wearing and where she\u2019s going. But you always kind of save the best for last\u2014knowing there\u2019s going to be the Oscars. I kind of felt she\u2019d get an Oscar nomination right from the get-go. With Michelle she has this beautiful pixie cut so we know what the hair\u2019s going to be. And of course the hair color is also a consideration, and you kind of take it from there. The thing about Michelle\u2019s personality is that she\u2019s a very warm, gentle human being, so I never want to apply makeup that would be heavy or hard. There\u2019s always a light, effortless feeling every time. So we play with different eye shadows but never really go into heavy liners or anything. I think of course, with somebody who has such light skin\u2014which of course is the background to everything you do\u2014you do want to emphasize the eyes, but I sort of use a rounder motion with my application rather than a straight line. Nothing is overwhelming\u2014everything has a bit of a diffused, well-blended look. Her foundation is Vitalumi\u00e8re compact by Chanel, and for her eyes I used the Chanel eye shadow quad called Mystic Eyes. I used all the colors, and applied it all fading into each other. And then for a pop of extra glamour on the eyelids, I used a touch of single shadow called TigerLily\u2014it\u2019s sort of an orange-y golden sparkly color. That was the pop for the eye. The lip color is two lips blended together\u2014they\u2019re both Rouge Coco, one is called Paradis and one is called Destin\u00e9e. I scraped those out and gave her a little jar of it to take in her bag, plus a dry mascara wand for the eyebrows and a cotton swab to correct any eye makeup.<\/p>\n

Portman was made up by Eileen Kastner-Delago using Dior: Diorskin Forever Liquid Foundation and Sculpting Powder in Sable Rose #032 were used to perfect the skin, with 5-Couleurs shadow palette in 970, Liner Waterproof in Black, and a sweep of black Diorshow mascara emphasizing the eyes. Kastner-Delago painted on Rouge Dior lipstick in Rouge Favori #752, dabbing Cr\u00e8me de Rose balm on top for a bit of moisture.<\/p>\n

\"\"<\/a><\/p>\n

Chris McMillan blew dry Williams\u2019 hair using Sebastian Professional Mousse Forte, and finished it by sweeping on some Couture Colour Pequi Oil Treatment. Williams\u2019 nails got the HIPPxRGB treatment\u2026more on that in a moment\u2026\u2026\u2026<\/p>\n

Source: Into The Gloss Photos by Kate Young<\/p>\n","protected":false},"excerpt":{"rendered":"Yes we have already talked about the Oscars, favorite Oscar dresses and favorite Oscar hair\u2026 But when I…\n","protected":false},"author":9,"featured_media":13475,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[18],"tags":[3351,3160,3355,3354,3352,3353,576,698],"class_list":["post-13466","post","type-post","status-publish","format-standard","has-post-thumbnail","category-scottsdale-beauty-buzz","tag-behind-the-scenes-michelle-williams-oscar-day","tag-featured","tag-into-the-gloss","tag-kate-young","tag-natalie-portman-gets-ready-for-the-oscars","tag-oscar-red-carpet-prep","tag-phoenix-fashion","tag-scottsdale-fashion","cs-entry","cs-video-wrap"],"yoast_head":"\nBehind The Scenes Oscar Day - Michelle Williams & Natalie Portman<\/title>\n<meta name=\"description\" content=\"Stylist Kate Young spent the Sunday getting her friends Michelle Williams and 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